Wednesday, March 26, 2008

What exactly is our job as designers?

In my last post I mentioned that I was fired from the only project keeping my business afloat. That doesn't mean I'm totally without work.

I am working on a project on trade. Last night at a networking event I teamed up with my client to show off three branding options that we have been tossing around. We did this in order to get feedback from other business people because those folks are our target audience.

Of the three options one looked curvilinear (A), one introduced a squirrel as a possible mascot for the company (B), one was rectilinear (C). Each option had its reasons for looking the way it did. 

Most of the votes were cast based on initial reaction. Option C won, followed by option A, followed by option B with a vote ratio of approximately 4:2:1

Personally, I liked option C the least. I liked option A more than C because it was more imaginative. I preferred option B the most because it was more fun to work with.

My hypothesis is that option C won because it required much less thought by the viewer. The design was based on the initials of the company (WB), but the letter forms were so abstracted that the resulting mark only looked like three triangles.

Nobody could see that, and nobody asked. People asked about the other options, though. When explained, the viewers understood the reasoning behind the design.

So as a branding designer, what do I do? Do I recommend that we proceed with option C because it's most popular? Or do we maybe go with option B because it makes people think more?

For some reason, the new Sprint logo comes to mind. The first time I saw it I immediately thought of the pin drop image that they had used for so many years. The image is not literally a pin. Rather, it is a representation of the motion of the pin bouncing off of a hard surface.

The thing about this logo is that no one has to know what it represents. It still looks cool. 

Now my client gains business by word-of-mouth. They meet other business people face-to-face and personally hand them their business card. This interaction is almost always accompanied by an explanation of what it is the individual does in his business. So would an explanation of a squirrel on a business card really be out of the question?

I suppose explaining one's business card over and over might get old. Of course, I never get tired of explaining my business to other people. At the same time, I have certain reasons for my logo looking the way it does. I find that people usually spend more time looking at my business card than they do looking at other cards. No one asks me about my design, though. People do ask about my title of "Creative Mediator." 

Obviously, first impressions are extremely important. Upon making a first impression (through a business card) should there be something left for questioning? Or should it all be presented in a way that is as easy to digest as possible?

How will my client benefit most from my services? Are they going to do more business by doing what is popular? Or will they do more business by shaking things up and making people think?

Tuesday, March 25, 2008

A Great Custom Logo: What's the Value?

When one gets fired from the only project that's keeping his business afloat it becomes cause for reflection.

So I was hired by a group of "Sams (the Eagle)" to put together a direct mail type piece that featured all of their businesses. Throughout the entire planning meeting they shot down all of my ideas. They told me what they wanted the piece to look like (feature all six of their different business cards) and a totally non-inspiring headline.

I took their ideas along with some of my own and gave them four rough comps. Again they shot down all of my ideas. Long story short; I tried to educate them on the error of their ways, but they took it as me not following directions so I was fired.

Good. They aren't going to help me get to where I want to go anyway.

So where am I going? Or the better question: Where do I want to go? Because where I was going with the fore mentioned project and other similar projects was not going to help me go where I want.

I started to look for people and businesses that are already there. One such business is Plan B Branding.

If you take a look at the video on their site it shows some of their work then goes into a case study on one particular client. The case study explains how their client directly benefited from a complete re-brand that was implemented into an entire marketing campaign.

Since Plan B's design work is being used on licensed apparel it's easy to see and communicate the value of that particular brand. 

Applications and ad campaigns aside; what is the value of a logo?

Monday, March 17, 2008

Welcome logophiliacs!

Nothing creates a buzz quite like a new logo. It may not always be a positive buzz, but a buzz nonetheless. With so many businesses and organizations popping up it's not unreasonable to say that each of us sees a new "logo" everyday.

If you're a designer or marketing professional that has an abnormal affection for logos and the process of designing them (a logophile) then you cringe every time you see stock "logos" sold on-line for $25 or a person talking about the "logo" on her business card which is nothing more than a clip art image of a briefcase, or worse still, the latest version of The Logo Creator by Laughingbird Software (aptly named). It's no wonder everyone claims to be an expert on the topic. 

WOULD THE TRUE EXPERTS PLEASE STAND UP!

This forum has been started to do just that.

Please join me in educating the public on the value and importance of custom logo design, identity and branding. We will do this by critiquing logos already out there from the most widely recognized to the most obscure.

As we move forward in the coming weeks we will evaluate various identifying marks based on how they employ the basic design elements that have been used by successful artists throughout history. These elements include unity, emphasis, scale/proportion, balance, rhythm, line, shape, texture, illusion of space, illusion of motion, value, and color. We will also be judging on what each logo communicates, the success of each logo, and overall coolness.

We will also delve into the history of logo design and study some of the masters. First, we will begin with cave paintings.

"What do cave paintings have to do with logo design?" you ask. Stay tuned to this blog to find out!